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Over the years a lot of very good questions have been asked with regard to Tempus drums... I thought it was time I tried to address a few of them using this wonderful digital medium. And please, if you don't see your question and its answer here, let me know; I'll reply privately and, if it's pertinent, post the new Q&A's here.

Q. How thick are Tempus shells?
A. It depends on the material used and the shell being built. Fiberglass tom tom and bass drum shells are about 1/8" thick, Fiberglass snare drum shells a tad over 3/16". Carbon Fiber shells are, respectively, about 15% thinner and somewhat lighter.

Q. What shape are Tempus bearing edges?
A. The best answer to this came years ago from, as I remember it, Gordy Knudtson, who likened the bearing edges to "the long end of an egg". The shells are really too thin to allow much in the way of precise angular variations - 45 degrees outside, 62 degrees inside, that sort of thing - and, as near as I can tell, very minor variations on the basic theme make no audible difference to the sound of the drum in question.

Q. What's that smell?
A. It's fiberglassing resin, MEK catalyst, pastes, gelcoats and a number of other top secret ingredients ( the sweat off the craftsman's brow, the blood from the craftsman's fingers, you know the sort of thing...? ) added to the mix. After a while the exquisitely pungent aroma does dissipate but it never really goes away completely. Kind of a trademark, I like to think...

Q. What's the difference between Fiberglass and Carbon Fiber?
A. Physically C/F shells are thinner than F/G shells, by about 25-30%. Sonically, I'm told by those who own both that the C/F shells actually produce a warmer sound than the F/G variety. My ears tell me the same thing but it's difficult, if not impossible, for me to be objective.

Q. Can I get a catalogue?
A. Unfortunately, no, not at the moment. The last media piece I did was beautifully designed and printed on expensive paper; to produce anything less at this time would be a let down, I think, and since I don't have anywhere near the budget to put out anything of a similar quality, I'll have to let the website do the job that a new catalogue would otherwise do.

Q. Aren't Tempus Drums expensive?
A. This all depends on your needs, wants and perspectives. As a high-end product Tempus Drums fall somewhere in the middle of the scale, cost-wise; there are many other manufacturers whose top line drums cost as much as twice ( or more ) what mine do. On the other hand, if you're looking for a budget-priced kit this is definitely the wrong place to be looking.

If, however, you want a totally unique synthetic shelled instrument which will outlast you and several generations of your descendants...

Q. Can I get Tempus Drums with a wood veneer on the outside?
A. It can be done but, really, what would be the point? Such a process would detract from the basic function and effectiveness of a seamless, dense and very thin shell.

Q. It looks as if you've added a lot of new finishes in the last year or so; how do you decide what to offer?
A. The finishes that I offer are those which my customers ask me to create. Since all Tempus drums are made to order - literally custom built - and since every customer has a personal preference in so many detailed areas, it's lucky that I'm in a position to be so flexible when it comes to custom finishes. It's generally as simple a procedure as having the customer send me a sample of the color to be matched, me sending that same sample off to my brilliantly talented lab technicians (well, not my technicians, exactly, but it sounds impressive... ) and leaving them to it for a day. When it comes to Glitter finishes, the same process applies, except that I can more easily choose the nearest matching metalflake from the hundreds in stock at my supplier.

So, really, if I've added "new" finishes, it's because you all have such excellent tastes in such matters.

Q. What kind of hardware do Tempus Drums come fitted with?
A. Tempus has exclusive signature lugs, but at the moment doesn't have a line of stands and, as a result, the drums can be fitted with whatever brand of mounts, spurs, legs etc. that the customer desires. The only specific items I use are the wonderful throw-off/butt combination made by Greg Nickel and, since 1987, the beautiful Evans drum heads. You may also buy Tempus shells un-drilled, and mount your own lugs, hardware and heads. In fact this has actually become quite a popular concept over the last few years. Prices are available upon request.

Q. Who endorses Tempus Drums?
A. Officially, nobody. Endorsement programs are notoriously difficult and costly to run and, in all honesty, I just haven't the resources to manage such a task. Tempus Drums do tend to get included in the arsenals of a lot of players who own a wide range of equipment made by a variety of manufacturers ( most of whom do have endorsements with major manufacturers ) but I don't think that there are many players out there who use my instruments exclusively.

And, of course, any list I might give you would undoubtedly, though unintentionally, leave out some truly dedicated players who should have been mentioned; after all, the word "endorser" does seem to carry the connotation of the "notable" or "celebrity" player and, to be sure, there are a great many Tempus drummers out there who, while not household names, are full time professional traveling musicians. And, of course, there's the very real possibility that mentioning those big names would simply look like a vain attempt to pad out the list. Where, then, does one draw the line?

With this in mind, and in the hopes that nobody either on or off the list takes offense, here's a catalogue of those players - and some of their employers - who have, at some point or another through the years, owned one or more Tempus drums ( and, with any luck, some of 'em still do... );

 
Tommy Aldridge   Independent, Ozzy Osbourne, Whitesnake etc.
Rob Baker   Red Rider
Sonny Bernardi   Canadian Independent, Crowbar
Liam Bradley   Percussionist with Van Morrison
Barry Brandt   Angel
Paul Brochu   UZEB
Tony Brock   The Babys, Rod Stewart
Bill Bruford
Tommy Campbell   John McLaughlin, Manhattan Transfer, Jazz Veteran
Deen Castronovo   Tony MacAlpine, Bad English
Mike Cassells   Canadian Educator, Greg Runions Group, Kenny Wheeler
Dennis Chambers
Terry Clark   Canadian Jazz Great
Billy Cobham
David Crigger   Burt Bacharach, L.A. Studios
Joe DeLuca   Broadway Veteran
Jerome Deupree   Independent, Morphine, Clinician
Geoff Dunn   British Session Veteran, Van Morrison, Terence Trent D'Arby
Manny Elias   British Session Veteran, Tears For Fears, Julian Lennon
Jim Erickson   The Allies
Bob Ezrin   Producer Extraordinaire
Fish   Fishbone
Frosty (Bartholomew Smith)   Lee Michaels, Delbert McClinton
Bill Goodness   Studio Pro., Ricky Van Shelton
Rob Gottfried   Rob The Drummer
Rick Gratton   Canadian Studio Veteran, Clinician
Ray Hartmann   Annihilator
Mike Henry   Solo Artist, Big Percussion
Jon Hiseman   British Veteran, Coliseum
Chris Hooper   The Grapes Of Wrath, Ginger
Matt Johnson   54-40
Craig Kaleal   Canadian Touring Veteran, Ferron, Leigh Ashford
Mike Keeley   Three Dog Night
Gordy Knudtson   Minneapolis Studio Veteran, Steve Miller
Mike LeFevbre   Willie Nelson, Dizzie Gillespie
Herman Mathews   Tower Of Power, Kenny Loggins, L.A. Session Pro.
Duris Maxwell   Canadian Studio Veteran, Doucette, Brahman
Gary McCracken   Max Webster
Jerry Mercer   April Wine
Lou Molino   Cock Robin, Kim Mitchell, Trevor Rabin
Marty Morell   Bill Evans
Bob Moses
Lewis Nash   Jazz Great, Branford Marsalis
P.I.T.   "house kits" at Musician's Institute in Hollywood
Ron Pangborn   Studio Veteran, Was Not Was, Marshall Crenshaw
Neal Peart
Ralph Penland   Independent Jazz Master
Gary Peterson   The Guess Who
Simon Phillips
David Sanger   Asleep At The Wheel
Jon "Bermuda" Schwartz   "Weird Al" Yankovic
Pat Torpey   Mr. Big
John Yarling   Touring Pro.
Roy Yeager   Former Nashville Session Pro., Atlanta Rhythm Section

 


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